/* The column is narrow on purpose. A settings row read at 1100px wide puts a toggle a hand's width from the label it belongs to, and the eye stops pairing them. 46rem is the widest this stays legible. */ .set2-col { max-width: 46rem; margin: 0 auto; padding: 2.25rem 2rem 6rem; } /* ══ SCROLLBARS ══════════════════════════════════════════════════════════ ONE TREATMENT, EVERY SCROLL REGION ON THIS SURFACE. Each of these carried `scrollbar-width: thin` and nothing else, which is the half of the contract that BREAKS the other half: declaring it switches Chrome to the standard scrollbar, and the standard scrollbar ignores the `::-webkit-scrollbar` rules the design system styles the rest of the product with. So every one of them — the scope picker, the popovers, the skill library, the tenancy canvas — grew a pale native bar down its edge while everything around it had the quiet one. `scrollbar-color` is the standard-scrollbar equivalent and carries the DS's own values; the webkit rules stay for the engines that still read those. Listed rather than applied to `*`, because a rule that broad would also reach the page scroller the shell owns. ══════════════════════════════════════════════════════════════════════════ */ .set2-pick-bd, .set2-pop, .set2-pop-bd, .set2-sc-canvas, .set2-body { scrollbar-width: thin; scrollbar-color: rgba(255, 255, 255, 0.14) transparent; } .set2-pick-bd::-webkit-scrollbar, .set2-pop::-webkit-scrollbar, .set2-pop-bd::-webkit-scrollbar, .set2-sc-canvas::-webkit-scrollbar, .set2-body::-webkit-scrollbar { width: 0.3125rem; height: 0.3125rem; } .set2-pick-bd::-webkit-scrollbar-track, .set2-pop::-webkit-scrollbar-track, .set2-pop-bd::-webkit-scrollbar-track, .set2-sc-canvas::-webkit-scrollbar-track, .set2-body::-webkit-scrollbar-track { background: transparent; } .set2-pick-bd::-webkit-scrollbar-thumb, .set2-pop::-webkit-scrollbar-thumb, .set2-pop-bd::-webkit-scrollbar-thumb, .set2-sc-canvas::-webkit-scrollbar-thumb, .set2-body::-webkit-scrollbar-thumb { background: rgba(255, 255, 255, 0.14); border-radius: 0.1875rem; } .set2-pick-bd::-webkit-scrollbar-thumb:hover, .set2-pop::-webkit-scrollbar-thumb:hover, .set2-pop-bd::-webkit-scrollbar-thumb:hover, .set2-sc-canvas::-webkit-scrollbar-thumb:hover, .set2-body::-webkit-scrollbar-thumb:hover { background: rgba(255, 255, 255, 0.24); } :root[data-theme="light"] .set2-pick-bd, :root[data-theme="light"] .set2-pop, :root[data-theme="light"] .set2-pop-bd, :root[data-theme="light"] .set2-sc-canvas, :root[data-theme="light"] .set2-body { scrollbar-color: rgba(16, 24, 40, 0.18) transparent; } :root[data-theme="light"] .set2-pick-bd::-webkit-scrollbar-thumb, :root[data-theme="light"] .set2-pop::-webkit-scrollbar-thumb, :root[data-theme="light"] .set2-pop-bd::-webkit-scrollbar-thumb, :root[data-theme="light"] .set2-sc-canvas::-webkit-scrollbar-thumb, :root[data-theme="light"] .set2-body::-webkit-scrollbar-thumb { background: rgba(16, 24, 40, 0.18); } :root[data-theme="light"] .set2-pick-bd::-webkit-scrollbar-thumb:hover, :root[data-theme="light"] .set2-pop::-webkit-scrollbar-thumb:hover, :root[data-theme="light"] .set2-pop-bd::-webkit-scrollbar-thumb:hover, :root[data-theme="light"] .set2-sc-canvas::-webkit-scrollbar-thumb:hover, :root[data-theme="light"] .set2-body::-webkit-scrollbar-thumb:hover { background: rgba(16, 24, 40, 0.30); } /* ══ HEAD ════════════════════════════════════════════════════════════════ */ /* ── WHY THE TITLE STOPPED SHOUTING ── It was `--ty-display` at bold — the size and weight reserved for a DOCUMENT title, on a page whose title is one word. Across the surveyed set (Plain, Obvious, Arcade, GitBook) the settings title is set at roughly body-plus-one and semibold; none of them are heavy. The reason is structural: on a document the title is the content, and on a settings page the CONTROLS are the content and the title is a label for where you are. The size is kept and the weight comes off. Hierarchy here is carried by the scope line directly beneath it, which is the thing that actually changes. NO LEDE PARAGRAPH under it, deliberately — every surveyed screen has one and this file's own T1 rule removed them on the grounds that layout carries meaning and copy does not. That decision stands; it is not overturned by five products agreeing with each other. */ /* ── THE HEADINGS WEAR THE PRODUCT'S HEADING FACE ── Every heading in this product is set in `--font-display` — the corpus page title, a card title, a document title, a peek's title, a comment head. Not one heading in settings was: they inherited `--font-sans` because nothing here ever named a family, so the one surface with the most headings on it was the only surface setting them in the body face. Nothing else about them changes. The pairing is the design system's, this file simply was not using it. */ .set2-title { font-family: var(--font-display); font-size: var(--ty-display); font-weight: var(--fw-extrabold); letter-spacing: var(--ls-tight); color: var(--ink-primary); line-height: var(--lh-tight); } /* Scope reads, the lens writes. One editable control in the chrome that re-scopes the page under it is the shape behind every wrong-context incident worth reading about, and the remedy in each of those write-ups was visibility of the active context rather than one more gate. So the scope is text, and only the lens is a control. */ .set2-bar { display: flex; align-items: center; gap: 0.75rem; flex-wrap: wrap; margin-top: 0.875rem; } .set2-scope { display: flex; align-items: center; gap: 0.375rem; flex-wrap: wrap; min-width: 0; } .set2-scope-i { font-size: var(--ty-micro); color: var(--ink-quiet); white-space: nowrap; } .set2-scope-i b { color: var(--ink-primary); font-weight: var(--fw-semibold); } /* --ink-rule says "NON-TEXT. Hairlines and dots. Never type." in aimy-ds.css, and this is a glyph: the › between the two halves of the scope line. It measured 4.02:1 in dark on --d600. --d500 was the first answer, on knowledge.css's note that it is "the step this ramp uses for punctuation" — and css-audit.js rejected it: this product's ink floor for anything that is TEXT is the --ink-* set, and --d500 and below are non-text only. The note it cites is about a ::before marker, which the audit does not scan, so the two never met before now. --ink-faint is the quietest token the floor allows, and it measures 6.72. The › is still the least of the three things on the line. */ .set2-scope-s { color: var(--ink-faint); font-size: var(--ty-micro); } .set2-bar-end { margin-left: auto; display: flex; align-items: center; gap: 0.5rem; } /* The library's `.seg-btn.active` pairs `--accent` as TEXT with `--accent-dim` as fill. Measured on this page: 2.86:1 dark, 3.77:1 light -- both under the 4.5 floor, on what is the only writable control in the chrome. Swapping in `--ink-action` (the library's own "accent AS TEXT" token) lifts it to 4.18 and 4.90, so light passes and dark still does not. So the lens drops hue altogether. Its selected state is already carried by a surface step, and a control that needs colour ON TOP of a fill to say which segment is chosen was saying it twice. This also returns the whole accent budget to the one primary action per view, which is where it was supposed to be. Raised as a library gap regardless: every other consumer of `.seg` is still failing quietly. */ .set2-bar .seg { background: var(--card-bg); } .set2-bar .seg-btn.active { background: var(--card-bg-raised); color: var(--ink-primary); } /* ══ SECTION ═════════════════════════════════════════════════════════════ */ /* ── WHY SECTIONS GOT FURTHER APART AND QUIETER ── Once the rows lost their boxes, the only thing separating one group of settings from the next is space — so the space has to be big enough to read as a break rather than as a wide gap between two rows. 3.5rem is the distance at which the eye stops looking for a relationship. The header itself is the reverse move: uppercase micro rather than body semibold. A section head is a SIGNPOST, not a heading — it is read once, on the way past, and every surveyed product sets theirs quieter than the content beneath. Making it smaller and letting tracking do the work leaves the row names as the largest thing in the column, which is correct: the names are what you came to find. */ /* ── THE HOLE IN THE SCALE, AND WHY IT CLOSED ── These were micro uppercase at `--ink-faint`, on the reasoning that a section head is a signpost read once on the way past. That was overturned once, correctly, for the page as it then stood: the title was 28px and the next thing down was 12px, so nothing carried the middle and every section floated unanchored above its own content. `--ty-title` restored the step. THE PAGE UNDER IT HAS CHANGED. That hole existed because a module was five or six sections long and the title named the whole module — so the section head was the only thing standing between a 28px page name and a 13px row, and it had to carry the middle alone. A module is a group of PAGES now. The title names the page, there is one section on most of them and two at most, and the rail carries the map. There is no middle left to hold. So the signpost reasoning applies again, and it is what was asked for: the head goes quiet and the content gets the contrast. What is left is three levels with the loud one in the middle, which is right — the row names are what somebody came to read: section head micro uppercase, --ink-faint read once row name 13px, --ink-primary what you came for row detail meta, --ink-quiet why it matters The rule under it does the separating the size used to. */ .set2-sec { margin-top: 2.75rem; } .set2-sec:first-child { margin-top: 1.75rem; } .set2-sec-h { display: flex; align-items: baseline; gap: 0.75rem; margin-bottom: 0.75rem; padding-bottom: 0.5rem; border-bottom: 0.0625rem solid var(--hairline); } /* ── NO RULE UNDER A HEAD THAT IS A TOOLBAR ── The border exists to separate a section's TITLE from its content. On a page whose single section is titled by the page, the head carries no title — it is a row of controls — and the rule under it became the first of three stacked hairlines before any data: this, the column head's, then the first row's. Same call as `.set2-tabs.is-bare`, same modifier name: a toolbar is not a heading and does not get a heading's rule. The head aligns on `baseline` for a title beside its counts; a row of boxed controls has no shared baseline to sit on, so it centres instead. */ /* A toolbar's controls do not shrink, so on a phone this row wanted 136px more than the column had — measured on Dynamic fields at 390 — and took the page sideways. It wraps; the rule it does not draw means a second line costs nothing but its own height. */ .set2-sec-h.is-bare { flex-wrap: wrap; align-items: center; padding-bottom: 0; border-bottom: 0; /* The rule was doing two jobs and only one of them was decoration: it also held the toolbar off the column head beneath it. Taking it away left four bands — page title, scope, toolbar, table — stacked at 14, 20, 12 and 0 pixels, which reads as one dense block rather than as four things. The space it was providing has to be declared now that the line is not. A margin here COLLAPSES: the head is the section's first child and the section has no top padding, so `margin-top` escapes the box and merges with the space already above it, changing nothing. Padding does not collapse, which is why the space above is padding and the space below is margin. */ padding-top: 0.75rem; margin-bottom: 1.5rem; } /* ── QUIET, NOT SHOUTED ── The first pass at "muted" reached for micro uppercase with wide tracking, which is the treatment this file uses for a LABEL — the rail's group names, a table's column heads. A section head is a heading, and setting it in the label's clothes made it read as a column head over the whole section: all caps, letter-spaced, and still the first thing your eye hit because caps carry further than the size suggests. Muted is a job for colour and weight. So the head keeps normal sentence case and normal tracking like every other piece of running type on the surface, and recedes by being quieter and smaller than the rows beneath it. The rule under it does the separating. section head 15px semibold, --ink-quiet read once row name 15px, --ink-primary what you came for */ .set2-sec-t { font-family: var(--font-display); font-size: var(--ty-meta); font-weight: var(--fw-bold); letter-spacing: normal; text-transform: none; /* `--ink-quiet` is the ATTRIBUTION step — who, when, where. It was borrowed here to make the head recede and made it read as washed out instead: a heading in the display face at that value looks like text that failed to load rather than text set quietly on purpose. `--ink-secondary` is the substance step, one below identity, which is what a section head is. It still sits under the row names at `--ink-primary`; the recession comes from the size and the rule, which is where it belongs. */ color: var(--ink-secondary); line-height: var(--lh-snug); } .set2-sec-end { font-size: var(--ty-micro); margin-left: auto; display: flex; align-items: center; gap: 0.5rem; } /* ══ ROW ═════════════════════════════════════════════════════════════════ The atom that repeats everywhere: a skill, a connector, a person, a policy. ── WHY THIS IS NOT A CARD ──────────────────────────────────────────────── It used to be: a filled surface with a radius, stacked with a 2px gap so the page ground showed between them. That is the right treatment for a list of OBJECTS you might pick one of. A settings row is not an object — it is a STATEMENT WITH A CONTROL ATTACHED, and boxing it makes twelve statements read as twelve things to choose between. Surveyed the pattern across Arcade, Obvious, Plain, Grain, Sketch and Langdock: not one of them boxes a settings row. All six use the same shape — name and description hard left, control hard right, a hairline between. The line does the separating and costs one pixel instead of a whole surface. The gain is not decorative. Removing the fill removes a rounded rectangle per row from the page, which is what lets the vertical rhythm open up: rows are TALLER now and the page still reads shorter, because the eye follows one column of names instead of scanning a stack of tiles. */ .set2-rows { display: flex; flex-direction: column; } .set2-row { display: flex; align-items: center; gap: 0.875rem; padding: 0.875rem 0.25rem; border-bottom: 0.0625rem solid var(--hairline); text-align: left; width: 100%; appearance: none; border-left: 0; border-right: 0; border-top: 0; background: none; font: inherit; transition: background var(--t-fast) var(--ease-out); } /* The last row's line would be a lid on a section that has already ended. */ .set2-row:last-child { border-bottom: 0; } .set2-row[data-go] { cursor: pointer; } /* A hover tint that bleeds past the text is the only thing left standing in for the old surface, so it takes the padding back as a negative inset. */ .set2-row[data-go]:hover { background: var(--card-bg); box-shadow: -0.5rem 0 0 var(--card-bg), 0.5rem 0 0 var(--card-bg); } .set2-row:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: -0.125rem; border-radius: var(--r-xs); } /* The GLYPH dims on an off row, the NAME does not. Dimming the name made a switched-off agent's own label the hardest text in the list to read, and the toggle beside it already says off. */ .set2-row.is-off .set2-row-ico { opacity: 0.5; } /* ── The settings row proper ── Label and help text on the left, control on the right. This is the single most repeated shape in the surveyed set and it did not exist here: values like the relevance window were written as inline sentences, which reads well once and cannot be scanned at all when there are six of them. The left column is FIXED, not fluid. Ragged control edges are what make a settings page feel assembled rather than designed, and a fixed label column is the cheapest way to guarantee one vertical line for every control. */ .set2-set { display: flex; flex-direction: column; } .set2-set-row { display: grid; grid-template-columns: minmax(0, 1fr) minmax(0, 20rem); align-items: start; gap: 1.5rem; padding: 1.125rem 0.25rem; border-bottom: 0.0625rem solid var(--hairline); } .set2-set-row:last-child { border-bottom: 0; } .set2-set-l { min-width: 0; } .set2-set-n { font-size: var(--ty-meta); font-weight: var(--fw-semibold); color: var(--ink-primary); } .set2-set-d { font-size: var(--ty-micro); color: var(--ink-quiet); line-height: var(--lh-snug); margin-top: 0.1875rem; max-width: 52ch; } .set2-set-c { display: flex; align-items: center; gap: 0.5rem; justify-content: flex-end; } .set2-set-c .set2-fld { min-width: 0; } /* One column below the fold, because a 20rem control beside a 12rem label is two columns of nothing on a phone. */ @media (max-width: 52rem) { .set2-set-row { grid-template-columns: 1fr; gap: 0.625rem; } .set2-set-c { justify-content: flex-start; } } .set2-row-ico { width: 1rem; height: 1rem; flex-shrink: 0; color: var(--ink-quiet); } .set2-row-main { flex: 1 1 0; min-width: 0; } .set2-row-n { font-size: var(--ty-meta); font-weight: var(--fw-semibold); color: var(--ink-primary); display: flex; align-items: center; gap: 0.5rem; } /* -- AN INLINE BOX CANNOT CLIP -- This is a ``, so it computed to `display: inline` -- and on an inline box `overflow`, `text-overflow` and `width` do nothing at all. All three rules below were inert, so the sentence ignored its 494px column and ran 56px past it, straight through "nothing read" on the right. Blocked, it obeys the column. And it WRAPS rather than truncating: these sentences say what a setting does and where it stops, which is not something to cut mid-clause at an arbitrary character. */ .set2-row-d { display: block; font-size: var(--ty-micro); color: var(--ink-quiet); margin-top: 0.0625rem; white-space: normal; line-height: var(--lh-snug); } /* The name is a span too and carries a pill after it, so it wraps inside its own column rather than over the control at the end of the row. */ .set2-row-n { flex-wrap: wrap; } .set2-row-end { display: flex; align-items: center; gap: 0.75rem; flex-shrink: 0; } /* Where a row's value came from. A word, not a badge -- five coloured chips in a column is a bar chart nobody asked for. */ .set2-from { font-size: var(--ty-micro); color: var(--ink-quiet); white-space: nowrap; } .set2-from.is-org { color: var(--ink-quiet); font-weight: var(--fw-semibold); } .set2-chev { width: 0.875rem; height: 0.875rem; color: var(--ink-rule); flex-shrink: 0; } /* ══ PILL / TOKEN ════════════════════════════════════════════════════════ */ .set2-pill { display: inline-flex; align-items: center; gap: 0.375rem; padding: 0.125rem 0.5rem; border-radius: var(--r-pill); font-size: var(--ty-micro); font-weight: var(--fw-semibold); white-space: nowrap; } .set2-pill i { width: 0.3125rem; height: 0.3125rem; border-radius: var(--r-pill); background: currentColor; flex-shrink: 0; } .set2-pill.is-ok { background: var(--ok-bg); color: var(--ink-ok); } .set2-pill.is-warn { background: var(--warn-bg); color: var(--ink-warn); } .set2-pill.is-err { background: var(--err-bg); color: var(--ink-err); } .set2-pill.is-info { background: var(--info-bg); color: var(--ink-info); } .set2-pill.is-mute { background: var(--card-bg-raised); color: var(--ink-quiet); } .set2-num { font-variant-numeric: tabular-nums; } .w-lock { width: 0.75rem; height: 0.75rem; flex-shrink: 0; color: var(--ink-quiet); } /* The chevron OUTLIVED the ladder. `I.left` and `I.down` carry this class, and the scope picker and the popover back button draw both — so the rule stays while the six-stop chain it was written for does not. */ .set2-lad-ch { width: 0.75rem; height: 0.75rem; color: var(--ink-quiet); transition: transform var(--t-base) var(--ease-out); } /* ══ TARGETING PICKER ════════════════════════════════════════════════════ */ .set2-pick { background: var(--card-bg); border-radius: var(--r-lg); overflow: hidden; } .set2-pick-hd { padding: 0.625rem 0.625rem 0.5rem; } .set2-pick-bd { max-height: 15rem; overflow-y: auto; padding: 0 0.375rem 0.375rem; scrollbar-width: thin; } .set2-pick-ft { display: flex; align-items: center; gap: 0.75rem; padding: 0.5rem 0.875rem; background: var(--card-bg-raised); font-size: var(--ty-micro); color: var(--ink-quiet); } .set2-pick-ft b { color: var(--ink-primary); font-weight: var(--fw-semibold); } .set2-pick-ft.is-zero { color: var(--ink-err); } .set2-pick-ft.is-zero b { color: var(--ink-err); } .set2-node { display: flex; align-items: center; gap: 0.5rem; min-height: 1.875rem; padding: 0.1875rem 0.375rem; border-radius: var(--r-sm); font-size: var(--ty-micro); color: var(--ink-secondary); cursor: pointer; } .set2-node:hover { background: var(--card-bg-raised); } .set2-node:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: -0.125rem; } .set2-node.is-grp > .set2-node-n { color: var(--ink-primary); font-weight: var(--fw-semibold); } .set2-node.is-l1 { padding-left: 0.375rem; } .set2-node.is-l2 { padding-left: 1.375rem; } .set2-node.is-l3 { padding-left: 2.375rem; } .set2-node.is-l4 { padding-left: 3.375rem; } .set2-node.is-l5 { padding-left: 4.375rem; } .set2-node.is-l6 { padding-left: 5.375rem; } .set2-node-n { flex: 1 1 0; min-width: 0; overflow: hidden; text-overflow: ellipsis; white-space: nowrap; } .set2-node-ct { font-size: var(--ty-micro); color: var(--ink-quiet); font-variant-numeric: tabular-nums; flex-shrink: 0; } .set2-exp { width: 0.875rem; height: 0.875rem; flex-shrink: 0; color: var(--ink-quiet); transition: transform var(--t-fast) var(--ease-out); } .set2-node.is-open > .set2-exp { transform: rotate(90deg); } .set2-exp.is-none { visibility: hidden; } .set2-ck svg { width: 0.625rem; height: 0.625rem; color: #fff; opacity: 0; } .set2-ck[aria-checked="true"] { background: var(--brand); border-color: var(--brand); } .set2-ck[aria-checked="true"] svg { opacity: 1; } .set2-ck[aria-checked="mixed"] { background: var(--brand-dim); border-color: var(--brand); } .set2-ck[aria-checked="mixed"] svg { opacity: 1; color: var(--brand); } /* ══ FIELDS ══════════════════════════════════════════════════════════════ */ .set2-fld { appearance: none; width: 100%; background: var(--card-bg); border: 0.0625rem solid var(--card-border); padding: 0.4375rem 0.6875rem; border-radius: var(--r-md); font: inherit; font-size: var(--ty-meta); color: var(--ink-primary); } .set2-fld::placeholder { color: var(--ink-quiet); } .set2-fld:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: -0.0625rem; border-color: transparent; } /* An invalid field marks itself, so a sheet with one bad address does not rely on the reader pairing a message at the bottom with a box at the top. TWO TOKENS, ON PURPOSE. The border takes `--err`, which is what the design system's `.input.error` uses. The MESSAGE does not: `--err` is #f04438 on dark and #d92d20 on light, and knowledge.css records both as failing when they were used as text — 4.08:1 and 3.73:1 — which is why `--ink-err` exists and what it was corrected to. A border is a UI component at a 3:1 floor and passes; a sentence is text at 4.5 and does not. */ .set2-fld.is-bad { border-color: var(--err); } .set2-hint.is-err { color: var(--ink-err); } textarea.set2-fld { resize: vertical; min-height: 6rem; line-height: var(--lh-base); } .set2-field + .set2-field { margin-top: 1rem; } .set2-hint { font-size: var(--ty-micro); color: var(--ink-quiet); margin-top: 0.375rem; } .set2-modal .set2-fld { background: var(--card-bg-raised); } /* ── FIELD HELP, ON DEMAND ── The design system's `.tooltip-wrap` / `.tooltip`, with two changes it needs to carry a sentence rather than a word: it wraps, and it sits to the RIGHT rather than above. Above would be clipped — `.set2-modal-bd` scrolls, so it establishes a clipping context whether or not it is currently overflowing, and the first field's tooltip would be cut off by the top edge every time. To the side it clears both edges at any field. */ .set2-lbl-row { display: flex; align-items: center; gap: 0.25rem; margin-bottom: 0.375rem; } .set2-lbl-row .set2-lbl { margin-bottom: 0; } .set2-tip-wrap { position: relative; display: inline-flex; } .set2-tip-b { appearance: none; border: 0; background: none; cursor: help; padding: 0; display: inline-flex; align-items: center; justify-content: center; width: 1.125rem; height: 1.125rem; border-radius: var(--r-pill); color: var(--ink-rule); } .set2-tip-b svg { width: 0.875rem; height: 0.875rem; display: block; } .set2-tip-b:hover { color: var(--ink-quiet); } .set2-tip-b:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: 0.125rem; } .set2-tip { /* Top-aligned to the icon and growing DOWN, not centred on it. Centred, a two-line tooltip on the first field reached above `.set2-modal-bd`, which scrolls and therefore clips — measured outside its top edge. There is always room below a label and never any above the first one, whose row sits flush against the top of that box. Flush is why this is `0` and not a small negative: four pixels of overhang is still four pixels cut off. */ position: absolute; left: calc(100% + 0.5rem); top: 0; width: max-content; max-width: 15rem; white-space: normal; background: var(--card-bg-raised); border: 0.0625rem solid var(--card-border); border-radius: var(--r-md); box-shadow: var(--shadow-md); padding: 0.375rem 0.5rem; font-size: var(--ty-micro); line-height: var(--lh-snug); color: var(--ink-quiet); opacity: 0; pointer-events: none; z-index: 4; transition: opacity var(--t-fast) var(--ease-out); } /* Same intent gate as .tooltip in the library, and split from the focus rule for the reason the library's is: hovering is something a cursor does on its way somewhere, so it waits; focusing is something a person did, so it does not. Written as one selector list both would wait, and a keyboard user would pay --t-intent for a tooltip they asked for by name. */ .set2-tip-wrap:hover .set2-tip { opacity: 1; transition-delay: var(--t-intent); } .set2-tip-b:focus-visible + .set2-tip { opacity: 1; } /* Below rather than beside, for a glyph on a HEADING. The sideways placement above exists because `.set2-modal-bd` scrolls and clips its top edge; a heading in the page body has nothing above it to clear and plenty of room under it, and going sideways from a tab would put the panel over the next tab. Wider too: these carry two sentences, not a phrase. */ /* `max-width` is 21rem because these carry two sentences. On a phone 21rem is wider than the column: the panel is `position: absolute` and `opacity: 0`, so nothing is SEEN overflowing — but an absolutely positioned box still counts toward the scrollable width of `#pageScroll`, and measured at 360 it reached 245px past the column and took the page sideways with it. Capping against the viewport keeps the two sentences wherever there is room for them and stops the invisible panel dragging a scrollbar into being. */ .set2-tip.is-below { left: 0; top: calc(100% + 0.4375rem); max-width: min(21rem, calc(100vw - 3rem)); } /* The cap above is the viewport; below 46rem the panel also has to clear wherever its ICON sits, and on Skills the second tab's tip started 120px in and still ran 293px past the column. Two sentences do not fit beside a tab on a phone, so under this width the panel stops trying to sit under its own icon and spans the column instead: pinned to the page's left gutter with `position: fixed`, which also takes it out of `#pageScroll`'s scrollable width — an `opacity: 0` panel was dragging a horizontal scrollbar into being on two pages that had nothing else wrong with them. */ @media (max-width: 735.98px) { .set2-tip.is-below { position: fixed; left: 1rem; right: 1rem; top: auto; width: auto; max-width: none; margin-top: 0.4375rem; } } @media (prefers-reduced-motion: reduce) { .set2-tip { transition: none; } } /* Settings is set in Urbanist throughout — the URLs and tokens included. The class stays as the hook for what a monospace face was doing here, because one thing it was doing still has to be done: see the masked-token rule at the foot of this file. */ .set2-mono { font-family: var(--font-sans); } /* ══ EMPTY / NOTE ════════════════════════════════════════════════════════ */ /* An empty state is a heading, a sentence and, when there is one, the single thing worth doing. It was a text block with a button dropped inline, so the action ran on from the sentence as though it were part of it. */ .set2-empty { display: flex; flex-direction: column; align-items: center; gap: 0.375rem; padding: 3rem 1.5rem; text-align: center; background: var(--card-bg); border-radius: var(--r-lg); font-size: var(--ty-meta); color: var(--ink-quiet); } .set2-empty b { font-family: var(--font-display); color: var(--ink-primary); font-weight: var(--fw-bold); font-size: var(--ty-body); margin-bottom: 0.125rem; } .set2-empty .btn { align-self: center; margin-top: 0.875rem; } /* One line, one accent edge, no icon-and-paragraph. Used where a fact about the whole section cannot be carried by a row. */ /* ── WHY THE NEUTRAL NOTE LOST ITS BOX ── Once the rows stopped being surfaces, a filled note became the loudest thing on the page — a paragraph of context outranking every control on screen. A note that merely EXPLAINS is prose and gets set as prose. It keeps a rule on its left so it still reads as an aside rather than as body copy. The two that WARN keep their fill, and that is the point of the split: colour now means consequence and nothing else. When every note was a box, the irreversible one looked like the informational one wearing red. */ .set2-note { display: flex; gap: 0.625rem; align-items: baseline; padding: 0 0 0 0.75rem; border-left: 0.125rem solid var(--hairline); font-size: var(--ty-micro); color: var(--ink-quiet); line-height: var(--lh-snug); } .set2-note.is-warn, .set2-note.is-err { padding: 0.625rem 0.875rem; border-left: 0; border-radius: var(--r-md); } .set2-note.is-warn { color: var(--ink-warn); background: var(--warn-bg); } .set2-note.is-err { color: var(--ink-err); background: var(--err-bg); } /* ══ ENTITLEMENT ═════════════════════════════════════════════════════════ The module stays at FULL contrast and only the controls die. Dimming the whole thing hides what you would be buying, which is the one thing an upsell surface has to show. */ .set2-tier { display: flex; align-items: center; gap: 0.625rem; margin-top: 0.125rem; padding: 0.625rem 0.875rem; border-radius: var(--r-md) var(--r-md) var(--r-lg) var(--r-lg); background: var(--card-bg-raised); font-size: var(--ty-micro); color: var(--ink-quiet); } .set2-tier-end { margin-left: auto; } .set2-row.is-locked { pointer-events: none; } .set2-row.is-locked .set2-row-end > *:not(.w-lock) { opacity: 0.4; } /* ══ SAVE BOUNDARY ═══════════════════════════════════════════════════════ Each module owns its own. It rises from the bottom of the scroll port with the count of what is unsaved, and it belongs to ONE module -- a global save bar is how an edit in one place commits an edit in another. */ /* The floating bar is gone. What replaced it is below, under THE UNSAVED BLOCK -- it sits in the layout instead of over it. `.set2-save-n` survives because the preview modal's footer still uses it for a count line. */ .set2-save-n { font-size: var(--ty-micro); color: var(--ink-quiet); } /* ══════════════════════════════════════════════════════════════════════════ SAYING NO, AND SAYING WHERE The one moment in this console that had no motion at all and most needed it. A modal repainted in place does not re-enter - see `is-seated` in paintModal - so what the reader sees is the dialog they are already looking at refusing the thing they just asked for. Restrained on purpose, and decaying. This is a refusal, not a tantrum: 6px at the widest, which is `--distance-small` in the shared scale, and each swing smaller than the last so it reads as settling rather than vibrating. Transform only, so a dialog with a scrolling body and a backdrop filter behind it repaints on none of it. ══════════════════════════════════════════════════════════════════════════ */ @media (prefers-reduced-motion: no-preference) { /* A dialog that was already open stays where it is. */ .set2-scrim.is-seated, .set2-scrim.is-seated .set2-modal { animation: none; } .set2-scrim .set2-modal.is-shaking { animation: set2-shake var(--t-slow) var(--ease-out) both; } @keyframes set2-shake { 0%, 100% { transform: translateX(0); } 12% { transform: translateX(-0.375rem); } 28% { transform: translateX(0.375rem); } 46% { transform: translateX(-0.25rem); } 64% { transform: translateX(0.25rem); } 82% { transform: translateX(-0.0625rem); } } /* ════════════════════════════════════════════════════════════ THE SAVE BOUNDARY ARRIVES It was an attribute flip: the bar that tells you there is something uncommitted appeared and disappeared between frames, which on a page you are typing into reads as the layout glitching rather than as a state changing. Coming out of `display: none` restarts a CSS animation, so the rise fires every time it returns and needs no JavaScript to arm it. */ [data-save]:not([hidden]) { animation: set2-save-in var(--t-base) var(--ease-out) backwards; } @keyframes set2-save-in { from { opacity: 0; transform: translateY(0.5rem); } } /* And the figure itself, when it is a different figure. One short run of digits, so the blur is affordable here on the same terms as the thinking label: never a list, never more than one at a time. */ .set2-num.is-bumped { animation: set2-num-in var(--t-base) var(--ease-out); } @keyframes set2-num-in { from { opacity: 0; transform: translateY(-0.375rem); filter: blur(var(--blur-small)); } } } /* ══ DETAIL ══════════════════════════════════════════════════════════════ */ /* THE WAY BACK MOVED INTO THE HEADER. It was a labelled link on its own line above the title: `< Skills`, printed directly under an

reading Skills and a scope line reading Org FlairsTech. Three stacked lines of chrome before the thing you opened, one of them the same word twice. An icon against the skill's name instead. The label goes to `aria-label` and `title`, so it is still named for anyone who needs it named, and the target grows rather than shrinks: a 28px square beats a 16px-tall text link. */ .set2-back { appearance: none; padding: 0; cursor: pointer; flex-shrink: 0; display: inline-flex; align-items: center; justify-content: center; width: 1.75rem; height: 1.75rem; border: 0.0625rem solid var(--card-border); border-radius: var(--r-sm); background: var(--card-bg); color: var(--ink-quiet); } .set2-back svg { width: 0.875rem; height: 0.875rem; } .set2-back:hover { border-color: var(--ink-rule); color: var(--ink-primary); } .set2-back:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: 0.125rem; } /* The skill body, shown as prose or as the file it actually is. A skill that can be uploaded as a file has to be readable as one, or the download and the display are two different objects. */ .set2-view { display: inline-flex; gap: 0.125rem; padding: 0.1875rem; border-radius: var(--r-md); background: var(--card-bg-raised); } .set2-view-b { appearance: none; border: 0; background: transparent; cursor: pointer; padding: 0.25rem 0.5rem; border-radius: var(--r-sm); color: var(--ink-quiet); display: grid; place-items: center; min-width: 1.75rem; min-height: 1.75rem; } .set2-view-b svg { width: 0.875rem; height: 0.875rem; } .set2-view-b.is-on { background: var(--card-bg); color: var(--ink-primary); } .set2-body { padding: 0.875rem 1rem; border-radius: var(--r-lg); background: var(--card-bg); font-size: var(--ty-meta); color: var(--ink-secondary); line-height: var(--lh-base); } .set2-body.is-raw { font-family: var(--font-sans); font-size: var(--ty-micro); color: var(--ink-quiet); white-space: pre-wrap; line-height: var(--lh-snug); } /* ══ FIELD MAPPING ═══════════════════════════════════════════════════════ A table, and the only place in this file where alignment rather than a surface step carries the structure. That is the exception T2 allows: in a table the columns ARE the separator, so a rule between rows would be a second one. There is still not a single border-bottom below. The console renders this as a bordered grid with a hairline under every row plus alternating tinted fills, which is three separating devices doing one job. */ .set2-map { display: flex; flex-direction: column; } .set2-map-hd { display: grid; grid-template-columns: 12rem minmax(0, 1fr) auto; gap: 0.75rem; padding: 0 0.25rem 0.5rem; font-size: var(--ty-micro); letter-spacing: var(--ls-wide); text-transform: uppercase; color: var(--ink-quiet); } /* ── A ROW IS A FIELD AND EVERYTHING UNDER IT ── The separator was on every `.set2-map-row`, so it fell between a parent and its own subfields as readily as between two unrelated fields — six identical lines saying nothing about which side of them belonged together, and the subfield indent arguing with a rule that cut straight across it. The unit is the FIELD plus its children. So the line moves to the top of every top-level row, which puts exactly one between each group and the next and none inside one. Drawn on the row that starts a group rather than under the thing that ends it, because what ends a group varies — the last subfield, or the "Add subfield" under it — and what starts one never does. */ .set2-map-row { border-bottom: 0; } .set2-map-row:not(.is-sub) { border-top: 0.0625rem solid var(--hairline); } /* The column head already rules off the first group. */ .set2-map-hd + .set2-map-row { border-top: 0; } .set2-map-ctx { font-size: var(--ty-meta); font-weight: var(--fw-semibold); color: var(--ink-primary); overflow: hidden; text-overflow: ellipsis; white-space: nowrap; } .set2-map-row.is-broken .set2-map-ctx { color: var(--ink-err); } .set2-x { appearance: none; border: 0; background: transparent; padding: 0.1875rem; cursor: pointer; color: var(--ink-quiet); display: grid; place-items: center; border-radius: var(--r-sm); } .set2-x:hover { color: var(--ink-err); background: var(--err-bg); } .set2-x svg { width: 0.75rem; height: 0.75rem; } .set2-add { appearance: none; border: 0; background: transparent; padding: 0.5rem 0.875rem; margin-top: 0.125rem; border-radius: var(--r-md); font: inherit; font-size: var(--ty-micro); font-weight: var(--fw-semibold); color: var(--ink-action); cursor: pointer; text-align: left; } .set2-add:hover { background: var(--card-bg); } .set2-add.is-inline { padding: 0.1875rem 0.4375rem; margin: 0; } .set2-sample i { font-style: normal; white-space: nowrap; overflow: hidden; text-overflow: ellipsis; } .set2-sample i + i::before { content: "·"; margin-right: 0.5rem; color: var(--ink-rule); } .set2-sample.is-none { color: var(--ink-warn); font-style: italic; } /* A suggestion is not an error and not a fact. It sits between them, and the row says so without dimming: everything stays fully readable, because a surface that hides its own guesses cannot be checked. */ .set2-map-row.is-unmapped .set2-map-ctx { color: var(--ink-quiet); font-weight: var(--fw-medium); } /* The counts and what they are counted FROM, at the left edge where the section's own title would be if the page were not already carrying it. */ .set2-sec-lead { display: flex; align-items: center; gap: 0.75rem; min-width: 0; } .set2-tally { display: flex; align-items: center; gap: 0.75rem; font-size: var(--ty-micro); color: var(--ink-quiet); } .set2-tally b { color: var(--ink-primary); font-weight: var(--fw-semibold); } .set2-tally .is-info b { color: var(--ink-info); } .set2-tally .is-err b { color: var(--ink-err); } .set2-tally .is-mute b { color: var(--ink-quiet); } /* ══ ROLES ═══════════════════════════════════════════════════════════════ Words, not ticks — that part of the matrix was right and it survives. A checkbox encodes a binary and permissions here are ternary: "can read it but not change it" is the most common answer and a tick has nowhere to put it. What changed is that the words are for ONE role at a time, so they can be set as a document instead of packed into cells. No card behind the rows, no fill, no radius: hairlines and space carry the structure, because this is a page you read rather than a surface you operate. That is also what keeps it visually apart from the skill library, which uses the same two columns for the opposite job. ══════════════════════════════════════════════════════════════════════════ */ .set2-rl { display: grid; grid-template-columns: 13.5rem minmax(0, 1fr); gap: 2rem; margin-top: 1.5rem; align-items: start; } /* ── The list ── Six rows and a settled number. It gets no scroll port and no filter of its own, because neither would ever do anything. */ .set2-rl-nav { position: sticky; top: 1rem; } .set2-rl-hd { margin-bottom: 0.75rem; } .set2-rl-bd { display: flex; flex-direction: column; } /* ── NO BACKGROUND TRANSITION ON A SELECTED ROW ── These four rows take their RESTING background from a theme token, and the theme toggle swaps the token on `` without re-rendering anything. A property that is mid-transition — or merely declared transitionable — does not re-resolve its `var()` when the variable changes underneath it, so the selected row kept the previous theme's fill: white-on-white going one way, near-black on a light page coming back. Reproduced both directions on the live toggle; correct on a fresh load, which is why it hides. The 150ms hover fade is not worth a row that renders the wrong theme, so it goes. Rows whose resting background is `none` keep theirs — a hover state re-resolves when you hover it. */ .set2-rl-r { display: flex; align-items: baseline; gap: 0.5rem; width: 100%; appearance: none; border: 0; background: none; cursor: pointer; text-align: left; font: inherit; min-height: 2rem; padding: 0.3125rem 0.5rem; border-radius: var(--r-sm); color: var(--ink-secondary); } .set2-rl-r:hover { background: var(--card-bg); } .set2-rl-r:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: -0.125rem; } .set2-rl-r.is-on { background: var(--card-bg); } .set2-rl-r.is-on .set2-rl-n { color: var(--ink-primary); font-weight: var(--fw-semibold); } .set2-rl-n { flex: 1 1 auto; min-width: 0; font-size: var(--ty-meta); overflow: hidden; text-overflow: ellipsis; white-space: nowrap; } /* The holder count is the fact that turns a reference into something you can act on, so it sits on every row and not only on the open one. Zero says so in a word: a role nobody holds is worth noticing, and "0" reads as a measurement rather than as a finding. */ .set2-rl-held { flex-shrink: 0; font-size: var(--ty-micro); color: var(--ink-quiet); font-variant-numeric: tabular-nums; } .set2-rl-held.is-zero { color: var(--ink-warn); } .set2-rl-ft { margin-top: 0.5rem; padding: 0 0.5rem; font-size: var(--ty-micro); color: var(--ink-rule); } /* ── The document ── */ .set2-rl-doc { min-width: 0; } .set2-rl-t { font-family: var(--font-display); font-size: var(--ty-title); font-weight: var(--fw-bold); color: var(--ink-primary); margin: 0; } .set2-rl-d { margin: 0.375rem 0 0; max-width: 40rem; font-size: var(--ty-meta); color: var(--ink-secondary); line-height: var(--lh-base); } /* The segmented control sits in the column the label used to, so the rows still line up whether a capability is settable or locked. */ .set2-rl-seg { justify-self: start; } .set2-rl-seg .seg-btn { font-size: var(--ty-micro); padding: 0.1875rem 0.5rem; } .set2-rl-bar { display: flex; align-items: center; gap: 0.75rem; flex-wrap: wrap; margin-top: 1.5rem; padding-bottom: 0.625rem; border-bottom: 0.0625rem solid var(--hairline); } .set2-rl-bar-l { font-size: var(--ty-meta); color: var(--ink-secondary); } .set2-rl-bar-l b { color: var(--ink-primary); font-weight: var(--fw-semibold); font-variant-numeric: tabular-nums; } .set2-rl-cmp { margin-left: auto; display: flex; align-items: center; gap: 0.5rem; } .set2-rl-cmp-k { font-size: var(--ty-micro); font-weight: var(--fw-medium); letter-spacing: var(--ls-wide); text-transform: uppercase; color: var(--ink-quiet); } /* ── The two columns of a diff ── One grid for the heads and every row under them, so the two states line up down the page. This is the ONE place in People-and-Roles where alignment carries meaning rather than decoration: a comparison whose columns do not line up is not a comparison. */ /* The first state column holds a three-button segmented control now, not a word, so it is wider than the second — which still holds the compared role's LABEL. Sized to the control rather than the other way round: a seg squeezed into a label's column is what put "None" on top of "Always". */ .set2-rl-heads, .set2-rl-cap { display: grid; grid-template-columns: minmax(0, 1fr) 11.5rem 8.5rem; align-items: center; gap: 0.75rem; } .set2-rl-heads { padding: 0.625rem 0 0; font-size: var(--ty-micro); font-weight: var(--fw-medium); letter-spacing: var(--ls-wide); text-transform: uppercase; color: var(--ink-quiet); } .set2-rl-h1 { grid-column: 2; } .set2-rl-h2 { grid-column: 3; } /* Without a comparison there is one state column and the capability takes the rest, so the name is not pinned to a track sized for a column that is not being drawn. */ .set2-rl-cap:not(.is-wide) { grid-template-columns: minmax(0, 1fr) 11.5rem 8.5rem; } .set2-rl-cap { padding: 0.5rem 0; border-bottom: 0.0625rem solid var(--hairline); } .set2-rl-cap.is-wide { grid-template-columns: minmax(0, 1fr); border-bottom: 0; padding-bottom: 0.25rem; } .set2-rl-cn { font-size: var(--ty-meta); color: var(--ink-secondary); } .set2-rl-g { margin-top: 1.5rem; } .set2-rl-gt { font-size: var(--ty-micro); font-weight: var(--fw-medium); letter-spacing: var(--ls-wide); text-transform: uppercase; color: var(--ink-quiet); padding-bottom: 0.375rem; } /* The state, as a word. Same four values the matrix used and the same colour for each, so anybody who learned them there has not had to learn them again. */ .set2-rl-s { font-size: var(--ty-micro); white-space: nowrap; display: inline-flex; align-items: center; gap: 0.25rem; } .set2-rl-s.is-ok { color: var(--ink-ok); font-weight: var(--fw-semibold); } .set2-rl-s.is-mute { color: var(--ink-quiet); } .set2-rl-s.is-off { color: var(--ink-quiet); } .set2-rl-s .w-lock { color: var(--ink-ok); } .set2-rl-same { display: flex; align-items: center; gap: 0.75rem; margin-top: 1rem; padding-top: 0.75rem; font-size: var(--ty-micro); color: var(--ink-quiet); } .set2-rl-same .set2-lnk { margin-left: auto; } /* ── Capability-first ── The same data read the other way: one capability, every role. Wraps rather than scrolling sideways, which is the whole reason the grid had to go. */ .set2-rl-across { display: flex; flex-wrap: wrap; gap: 0.375rem; padding-bottom: 0.5rem; } .set2-rl-x { display: inline-flex; align-items: center; gap: 0.4375rem; appearance: none; cursor: pointer; font: inherit; padding: 0.25rem 0.5rem; min-height: 1.75rem; border: 0.0625rem solid var(--hairline); border-radius: var(--r-sm); background: var(--card-bg); } .set2-rl-x:hover { border-color: var(--ink-rule); } .set2-rl-x:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: 0.125rem; } .set2-rl-xn { font-size: var(--ty-micro); color: var(--ink-primary); font-weight: var(--fw-semibold); } @media (max-width: 58rem) { .set2-rl { grid-template-columns: minmax(0, 1fr); gap: 1.25rem; } .set2-rl-nav { position: static; } .set2-rl-bd { flex-direction: row; flex-wrap: wrap; } .set2-rl-r { width: auto; } .set2-rl-heads, .set2-rl-cap:not(.is-wide) { grid-template-columns: minmax(0, 1fr) 10.5rem 6.5rem; } } /* ══ AND BELOW 46rem THE NAME TAKES A LINE OF ITS OWN ════════════════════ The block above narrows the two fixed tracks to 10.5rem and 6.5rem, which is 168 + 104 + two 12px gaps = 296px before the name gets anything. A 390 phone's column is 326 and a 360 one is 291, so `1fr` resolved to ZERO: the name had no box to wrap inside and "Change what a skill reaches" rendered straight across the Full / View / None control. Stacked, the name takes the line and the control the next — the only arrangement where both are readable at this width. The column heads name three columns that are no longer there, so they go with them. THIS SITS AFTER THAT BLOCK ON PURPOSE. Written above it, both selectors are `.set2-rl-cap:not(.is-wide)` at (0,2,0) and the 58rem rule won on source order — measured, the row still reported three tracks with the name at 0px and nothing changed. Fourth time this file has caught that; the override always goes after. */ @media (max-width: 735.98px) { .set2-rl-cap:not(.is-wide) { grid-template-columns: minmax(0, 1fr); row-gap: 0.375rem; } .set2-rl-heads { display: none; } .set2-rl-seg { justify-self: start; } } /* ══ CASCADE ═════════════════════════════════════════════════════════════ The second casualty. A count says how big the hole is; this says what falls into it, which is the part people do not predict. */ .set2-cascade { background: var(--card-bg); border-radius: var(--r-md); padding: 0.75rem 0.875rem; margin-bottom: 1rem; } .set2-cascade-t { font-size: var(--ty-micro); font-weight: var(--fw-medium); letter-spacing: var(--ls-wide); text-transform: uppercase; color: var(--ink-quiet); margin-bottom: 0.5rem; } .set2-cascade-i { display: flex; gap: 0.625rem; align-items: baseline; padding: 0.1875rem 0; font-size: var(--ty-micro); } .set2-cascade-k { flex: 0 0 10rem; color: var(--ink-primary); font-weight: var(--fw-semibold); } .set2-cascade-v { color: var(--ink-quiet); } /* ══ JOIN BAR ════════════════════════════════════════════════════════════ */ .set2-joinbar { display: flex; align-items: center; gap: 0.5rem; margin-bottom: 0.5rem; font-size: var(--ty-micro); color: var(--ink-quiet); } .set2-joinbar .seg { background: var(--card-bg); } .set2-joinbar .seg-btn { font-size: var(--ty-micro); padding: 0.1875rem 0.5rem; } .set2-joinbar .seg-btn.active { background: var(--card-bg-raised); color: var(--ink-primary); } /* ══ PREVIEW TABLE ═══════════════════════════════════════════════════════ The mapping and the data in one place, which is the only view where a wrong column is obvious. */ .set2-modal.is-wide { max-width: 52rem; } .set2-pv-wrap { overflow-x: auto; border-radius: var(--r-md); background: var(--card-bg); } .set2-pv { border-collapse: collapse; width: 100%; font-size: var(--ty-micro); } .set2-pv th { text-align: left; padding: 0.625rem 0.75rem 0.5rem; white-space: nowrap; color: var(--ink-primary); font-weight: var(--fw-semibold); } .set2-pv th span { display: block; font-family: var(--font-sans); font-weight: var(--fw-medium); color: var(--ink-quiet); margin-top: 0.125rem; } .set2-pv td { padding: 0.4375rem 0.75rem; color: var(--ink-secondary); white-space: nowrap; font-variant-numeric: tabular-nums; } .set2-pv tbody tr:nth-child(odd) td { background: var(--card-bg-raised); } .set2-pv td i { color: var(--ink-quiet); } kbd { font-family: var(--font-sans); font-size: var(--ty-micro); background: var(--card-bg-raised); color: var(--ink-quiet); padding: 0.0625rem 0.25rem; border-radius: var(--r-sm); } .set2-scrim.is-top { align-items: flex-start; padding-top: 12vh; } .set2-pal-empty { padding: 1.5rem 0.75rem; text-align: center; font-size: var(--ty-meta); color: var(--ink-quiet); } .set2-pal-empty b { color: var(--ink-secondary); } /* ══ CHIPS ═══════════════════════════════════════════════════════════════ */ .set2-chip { display: inline-flex; align-items: center; gap: 0.3125rem; padding: 0.1875rem 0.4375rem; border-radius: var(--r-sm); background: var(--card-bg-raised); font-size: var(--ty-micro); color: var(--ink-quiet); white-space: nowrap; } .set2-chip b { color: var(--ink-primary); font-weight: var(--fw-semibold); } .set2-chip button { appearance: none; border: 0; background: transparent; padding: 0; cursor: pointer; color: var(--ink-quiet); display: grid; place-items: center; } .set2-chip button:hover { color: var(--ink-primary); } .set2-chip button svg { width: 0.625rem; height: 0.625rem; } .set2-chip.is-act { border: 0; cursor: pointer; font: inherit; font-size: var(--ty-micro); } .set2-chip.is-act:hover { color: var(--ink-primary); } /* ══ CRITERIA ════════════════════════════════════════════════════════════ */ .set2-crit { display: flex; align-items: center; gap: 0.375rem; flex-wrap: wrap; padding: 0.625rem 0.75rem; background: var(--card-bg); border-radius: var(--r-lg); } /* The conjunction is stated. The console shows the same chips side by side with nothing between them, so whether two filters mean AND or OR is left for the reader to assume. */ .set2-crit-and { font-size: var(--ty-micro); color: var(--ink-quiet); font-style: italic; } .set2-crit-all { font-size: var(--ty-micro); color: var(--ink-quiet); } /* ══ BLAST RADIUS ════════════════════════════════════════════════════════ What the action is about to touch, next to the button that does it. The console offers Test Sync and Run Sync with no figure anywhere, so the only way to learn the size of a run is to start one. */ /* Two shapes from one class. The retention modal still puts a figure and a sentence in here — that number IS the decision, because it counts records about to stop existing — while Trigger sync now holds only its actions. So the block keeps the fill and the padding, and `:has()` closes the gap the count used to fill rather than leaving the buttons adrift at the end of an empty bar. */ .set2-blast { display: flex; align-items: baseline; gap: 0.5rem; flex-wrap: wrap; margin-top: 0.125rem; padding: 0.75rem 0.875rem; background: var(--card-bg-raised); border-radius: var(--r-lg); } /* With the count gone there is nothing for a container to contain: a filled, rounded bar holding two right-aligned buttons draws a box around empty space and reads as a section of its own. The actions keep their place in the flow and lose the panel. */ .set2-blast:not(:has(.set2-blast-l)) { background: none; padding: 0.25rem 0 0; justify-content: flex-end; } .set2-blast-n { font-size: var(--ty-title); font-weight: var(--fw-bold); color: var(--ink-primary); line-height: var(--lh-none); } .set2-blast-l { font-size: var(--ty-micro); color: var(--ink-quiet); } .set2-blast-end { margin-left: auto; display: flex; gap: 0.5rem; align-self: center; } .set2-blast.is-err { background: var(--err-bg); } .set2-blast.is-err .set2-blast-n { color: var(--ink-err); } .set2-blast.is-err .set2-blast-l { color: var(--ink-err); } /* ══ RUNS ════════════════════════════════════════════════════════════════ */ /* ── The history was one dense block, at every scale at once ── 2px between rows, 8px of padding inside them, 4px between the chips and 4px under them to the failure reason — four different gaps, none of them large enough to separate anything from anything else. A failed run's code, its reason, its chips and the row below it all sat inside the same 8px band, so the eye had no way to tell which of those belonged together. The numbers are now on one ladder rather than picked per property: 6px between rows, 8px between chips, 12px inside the row vertically, 16px in from the edges, 20px between columns. Each step is meaningfully bigger than the one below it, which is what makes a gap read as a level. */ .set2-runs { display: flex; flex-direction: column; gap: 0.375rem; } .set2-run { /* ── The date column was 120px for 77px of date ── 43px of dead space in the narrowest column on the page, paid for by the one column that actually runs out: widening the chips pushed a run's third criterion onto a second line while a fifth of the row sat empty to its left. 88px fits the longest date here with room, and the 32px it gives back goes where the content is. */ display: grid; grid-template-columns: 5.5rem 1fr auto auto; gap: 1rem; align-items: center; padding: 0.75rem 1rem; background: var(--card-bg); border-radius: var(--r-md); font-size: var(--ty-micro); } /* ══ A RUN IS FOUR COLUMNS UNTIL THERE IS NO ROOM FOR FOUR ═══════════════ `5.5rem 1fr auto auto` with a 1rem gap wants 58px more than a 390 column has — measured — so the criteria chips and the why-link were pushed past the edge, and the date itself rendered 262px wide inside an 88px track. Below 46rem the date takes a line of its own and the rest share the next, which is the same wrap every other row on this surface makes. `min-width: 0` on the date because a grid item's automatic minimum is its content, and a date that refuses to shrink is what put 262px in an 88px cell. AND IT IS WRITTEN HERE, AFTER the rule it corrects. The first draft sat above it: both are (0,1,0), so the base template won on source order and nothing changed — measured, the head still reported four fixed tracks. This file has now been bitten by that three times; the override always goes after. */ @media (max-width: 735.98px) { .set2-run { grid-template-columns: minmax(0, 1fr) auto; gap: 0.375rem 0.75rem; } .set2-run-when { grid-column: 1 / -1; min-width: 0; } /* The column head names four columns that are no longer there. */ .set2-run.set2-run-hd { display: none; } } /* ── One radius, because these are cards now ── The rounder outer corners were the treatment for a LIST: rows a hairline apart, shaped so the stack reads as one table with a top and a bottom. At a gap you can actually see, every row is its own card and two of them being a different shape from the other four is just an inconsistency. */ .set2-run-when { color: var(--ink-quiet); } /* Both axes. The row gap was inherited from the 4px column gap, so criteria wrapping to a second line — which is what every failed run does — put the two lines closer together than the chips on either line. */ .set2-run-crit { display: flex; gap: 0.5rem; flex-wrap: wrap; min-width: 0; } /* A chip whose text is "Status: Closed" needs room around the words to read as one object. Scoped to the run rows: the criteria builder above uses the same chip as an editable control with its own hit-target rules, and widening those is a different decision nobody asked for. */ .set2-run .set2-chip { padding: 0.25rem 0.5rem; } .set2-run-n { color: var(--ink-secondary); text-align: right; } /* The run's outcome, last in the row. It is a grid cell wrapping a pill, so it says only that the pill keeps its own width instead of stretching to the column — but it says it, rather than being a class with no rule anywhere. */ /* ── The outcome, and the way into it ── The pill says a run failed; the button under it says why. Stacked rather than side by side because they are not peers — one is the state, the other is a route out of it — and because side by side they pushed the criteria column into wrapping on exactly the rows that had the most to say. */ .set2-run-st { justify-self: end; display: flex; flex-direction: column; align-items: flex-end; gap: 0.375rem; } /* ── One height for every row ── The point of taking the reason off the row was the rhythm: a table read by scanning cannot have two row heights, one for runs that worked and one for runs that did not. The failed rows are now the taller of the two by the height of one small button, so the height they need becomes the height they all get. 15px of air on a succeeded row is not waste — it is the succeeded row agreeing to be the same shape as its neighbour. */ .set2-run:not(.set2-run-hd) { min-height: 4.25rem; } /* ── The progress bar on a running sync ── Spans every column, because what is in progress is the run and a bar the width of the status cell cannot show a proportion. It is the last child of the same grid rather than a wrapper around the row, so the four columns above it keep the alignment they share with every other row. */ /* Bar and count on one line, the count to the RIGHT of the bar rather than up in the Records column — that column reports what a run wrote and stays empty until it has written it. */ .set2-prog-row { grid-column: 1 / -1; display: flex; align-items: center; gap: 0.625rem; } .set2-prog { flex: 1 1 auto; min-width: 0; height: 0.1875rem; border-radius: var(--r-pill); background: var(--card-bg-raised); overflow: hidden; } .set2-prog-c { flex-shrink: 0; font-size: var(--ty-micro); color: var(--ink-quiet); font-variant-numeric: tabular-nums; } .set2-prog-fill { display: block; height: 100%; border-radius: inherit; background: var(--brand); /* Matches the tick, so the fill glides between samples instead of stepping sixteen times a second. The one duration in the build deliberately off the motion scale, and it should stay off it. Every rung there is chosen against a human — how long a close may take, how long a cursor will wait. This one is chosen against the sampler: it is 60ms because the data arrives every 62.5ms, and a rung that answered to taste would tear or stall the moment either changed. Snapping it to --t-fast would make the bar lag its own numbers. */ transition: width 60ms linear; } /* A determinate bar already says how far along it is; the sheen says it is still MOVING, which is the fact a static screenshot of a stalled sync cannot distinguish from a live one. */ .set2-prog-fill::after { content: ""; position: absolute; inset: 0; background: linear-gradient(90deg, transparent, rgba(255,255,255,0.35), transparent); animation: set2-prog-sheen 2.2s linear infinite; } .set2-prog-fill { position: relative; } @keyframes set2-prog-sheen { from { transform: translateX(-100%); } to { transform: translateX(100%); } } @media (prefers-reduced-motion: reduce) { .set2-prog-fill { transition: none; } .set2-prog-fill::after { animation: none; } } /* The count reads "128 / 412" — the half that changes is the half that is emphasised. */ .set2-run-n b { color: var(--ink-primary); font-weight: var(--fw-semibold); } .set2-fld-n { width: 5rem; flex: 0 0 auto; text-align: right; } /* ══ POPOVER ═════════════════════════════════════════════════════════════ Anchored beside the cell it changes. GAPS 22 and 25 note the library has one dialog and it assumes the decision was made before it opened; choosing a CRM key IS the decision, and it is a decision about one cell. */ .set2-pop { position: fixed; z-index: 80; width: 15rem; max-height: 18rem; display: flex; flex-direction: column; background: var(--card-bg-raised); border: 0.0625rem solid var(--card-border); border-radius: var(--r-lg); /* ── PADDING, AND THE ABILITY TO SCROLL ── It had neither. Rows sat 1px from the border, so a hovered row's 6px radius pressed against the panel's 10px one and the two corners fought; 4px of inset lets the row's own shape read. And `overflow: hidden` on a box with `max-height` is a clip, not a contract: the role picker is 359px of content in 288px of panel, so Read Only — the last row — could not be reached at all. It scrolls now, and the scroll stops at the panel instead of taking the page with it. */ padding: 0.375rem; overflow-y: auto; overflow-x: hidden; overscroll-behavior: contain; scrollbar-width: thin; box-shadow: 0 0.5rem 1.5rem rgba(0, 0, 0, 0.22); } /* ══ A PANEL ARRIVES FROM THE THING IT BELONGS TO ═══════════════════ `.set2-pop` declared no entry of any kind: every menu, role picker and kebab in this console appeared and disappeared between frames. The corner it grows from is written onto the element by placePop, which has already decided whether the panel sits above or below its anchor and whether it is left- or right-aligned - so the origin is not a guess made here, it is the placement decision restated. Scale and opacity only. A panel is a box with a shadow and a border radius; moving it costs a composite, and anything else costs a paint. ═══════════════════════════════════════════════════════════════════════ */ @media (prefers-reduced-motion: no-preference) { .set2-pop { transform-origin: left top; animation: set2-pop-in var(--t-base) var(--ease-out) backwards; } .set2-pop[data-origin="top-right"] { transform-origin: right top; } .set2-pop[data-origin="bottom-left"] { transform-origin: left bottom; } .set2-pop[data-origin="bottom-right"] { transform-origin: right bottom; } .set2-pop.is-closing { animation: set2-pop-out var(--t-fast) var(--ease-out) both; } @keyframes set2-pop-in { from { opacity: 0; transform: scale(0.97); } } @keyframes set2-pop-out { to { opacity: 0; transform: scale(0.99); } } /* ══ AND A DIALOG ARRIVES OVER EVERYTHING ══════════════════════ The scrim fades and the dialog rises into it, slightly behind - the ground goes dark first and the thing you have to answer arrives on top of it. Both leave faster than they came. */ .set2-scrim { animation: set2-scrim-in var(--t-fast) var(--ease-out) backwards; } .set2-scrim .set2-modal { animation: set2-modal-in var(--t-base) var(--ease-out) backwards; } .set2-scrim.is-closing { animation: set2-scrim-out var(--t-fast) var(--ease-out) both; } .set2-scrim.is-closing .set2-modal { animation: set2-modal-out var(--t-fast) var(--ease-out) both; } @keyframes set2-scrim-in { from { opacity: 0; } } @keyframes set2-scrim-out { to { opacity: 0; } } @keyframes set2-modal-in { from { opacity: 0; transform: scale(0.96) translateY(0.5rem); } } @keyframes set2-modal-out { to { opacity: 0; transform: scale(0.98); } } } /* ── THE PANEL'S TITLE, SET AS ONE ── "Grant to Alex Smith" was micro and faint: the same size and colour as the CAPTIONS under the rows beneath it, so the one line naming what the whole panel does read as the quietest thing in it. It is the title, and the rows are the options — it takes body weight and full-strength ink, and the rows' own left edge so the column starts in one place. The rule beneath groups it with what it heads rather than leaving it floating above the first row. */ .set2-pop-hd { padding: 0.375rem 0.5rem 0.5rem; margin-bottom: 0.3125rem; border-bottom: 0.0625rem solid var(--hairline); font-size: var(--ty-meta); font-weight: var(--fw-semibold); color: var(--ink-primary); line-height: var(--lh-snug); } .set2-pop-hd b { color: var(--ink-action); font-weight: var(--fw-semibold); } /* The search sits between the heading and the rows and belongs to neither, so it takes the rows' inset and its own breathing room below. */ .set2-pop-f { margin: 0 0.125rem 0.3125rem; width: calc(100% - 0.25rem); } /* ── ROWS NEED AIR BETWEEN THEM, NOT JUST INSIDE THEM ── The rows were flush siblings, so a two-line row's second line sat directly above the next row's NAME with nothing between them: "Cannot change billing" and "Manager" read as one paragraph, and six roles read as a wall of text rather than six things you can press. The panel is already a flex column, so the separation is a gap — one value, applied between every child, including the heading and the rule. A row carrying two lines also needs more of its own: 6px top and bottom is right under a single line and cramped under two. */ /* ── WHY THE ROWS WERE OVERLAPPING ── The panel is a flex COLUMN with a `max-height`, so once six roles exceeded 288px every row was flex-shrunk to fit instead of the panel scrolling: a row measured 42px tall around 59px of text, and each description ran into the name beneath it. Adding gaps made it worse, because the gaps came out of the same budget. Flex items shrink by default. These must not — they scroll. */ .set2-pop { gap: 0.1875rem; } .set2-pop > * { flex-shrink: 0; } /* ── SEPARATED BY SPACE, NOT BY A LINE ── A rule is a heavy way to say "these two belong to different groups" in a panel this small, and it competed with the group label already doing the job. Twice the gap says it on its own. */ .set2-pop-i.is-gap { margin-top: 0.5rem; } .set2-pop-i.is-role, .set2-pop-i.is-scope { padding-top: 0.5rem; padding-bottom: 0.5rem; } /* Two lines that are ONE thing. 1px between them read as a rendering accident; 2px with the caption a step quieter reads as a caption. */ .set2-pop-tx { gap: 0.125rem; } .set2-pop-i .set2-pop-p { line-height: var(--lh-snug); } /* The description is prose and wraps; snug keeps a two-line one compact without letting the two lines touch. */ .set2-pop-i.is-role .set2-pop-s { line-height: var(--lh-snug); } /* ── THE GROUP LABEL ── This style was in the file and nothing rendered it. It is what a menu of mixed actions needs: three ways to change somebody's access, then the two that are not about access at all. The label names the first group and a rule closes it, so the reader sorts five items into two ideas before reading any of them. Set at the quietest level in the panel on purpose — it is scaffolding for the rows, and a label that competes with what it labels has inverted the hierarchy it was added to create. */ .set2-pop-t { padding: 0.375rem 0.5rem 0.25rem; font-size: var(--ty-micro); font-weight: var(--fw-medium); letter-spacing: var(--ls-wide); text-transform: uppercase; color: var(--ink-rule); } .set2-pop-t:not(:first-child) { margin-top: 0.25rem; } .set2-pop-bd { flex: 1 1 auto; min-height: 0; overflow-y: auto; padding: 0.1875rem; scrollbar-width: thin; } /* 32px, not 30. Two extra pixels per row is what stops a six-row menu reading as a list of text and starts it reading as a list of controls — and it puts the single-line rows on the same rhythm as the two-line ones. */ .set2-pop-i { display: flex; align-items: center; gap: 0.5rem; width: 100%; min-height: 2rem; appearance: none; border: 0; background: transparent; padding: 0.375rem 0.5rem; border-radius: var(--r-sm); font: inherit; font-size: var(--ty-micro); font-family: var(--font-sans); color: var(--ink-secondary); text-align: left; cursor: pointer; } .set2-pop-i:hover { background: var(--card-bg); color: var(--ink-primary); } .set2-pop-i span:first-child { flex: 1 1 auto; } .set2-pop-i .set2-pop-t { font-family: var(--font-sans); font-size: var(--ty-micro); color: var(--ink-quiet); letter-spacing: var(--ls-wide); text-transform: uppercase; } .set2-pop-row { display: flex; align-items: baseline; gap: 0.5rem; padding: 0.3125rem 0.5rem; font-size: var(--ty-micro); color: var(--ink-quiet); } .set2-pop-row code { font-family: var(--font-sans); color: var(--ink-secondary); } .set2-pop-row b { color: var(--ink-primary); font-weight: var(--fw-semibold); margin-left: auto; } /* ══ MODAL ═══════════════════════════════════════════════════════════════ The library's `.modal` is a centred box that grows until something stops it. These two surfaces are the case GAPS 22 and 25 describe -- the body IS the decision -- so they get a height contract and an internal scroll here rather than inheriting one that has neither. */ .set2-scrim { position: fixed; inset: 0; z-index: 90; background: rgba(0, 0, 0, 0.55); display: grid; place-items: center; padding: 1.5rem; } /* ── `--card-bg`, which is what the design system's own `.modal` uses ── This was `--body-bg`: the PAGE ground, borrowed for a thing that floats above the page. Two costs. It read flat, because a dialog painted the same value as the surface behind it has only its border to say it is in front; and it was the one neutral in a blue-tinted ramp — #171a1c beside #141b24 and #1c2630 — so the modal was subtly the wrong temperature next to every other surface in the product. The shadow comes from the same DS rule, and is what actually does the lifting now that the fill is a card fill. */ .set2-modal { width: 100%; max-width: 34rem; max-height: calc(100dvh - 6rem); display: flex; flex-direction: column; background: var(--card-bg); border: 0.0625rem solid var(--card-border); border-radius: var(--r-lg); box-shadow: var(--shadow-xl); overflow: hidden; } .set2-modal-hd { display: flex; align-items: center; gap: 0.75rem; padding: 1rem 1.125rem 0.75rem; } .set2-modal-t { font-family: var(--font-display); font-size: var(--ty-title); font-weight: var(--fw-bold); color: var(--ink-primary); } .set2-modal-x { margin-left: auto; appearance: none; border: 0; background: transparent; cursor: pointer; color: var(--ink-quiet); display: grid; place-items: center; padding: 0.25rem; } .set2-modal-x:hover { color: var(--ink-primary); } .set2-modal-x svg { width: 0.875rem; height: 0.875rem; } .set2-modal-bd { flex: 1 1 auto; min-height: 0; overflow-y: auto; padding: 0 1.125rem 1rem; } /* Both of these were `--card-bg` while the dialog was `--body-bg`. The dialog is `--card-bg` now, so they step up rather than dissolving into it. */ .set2-modal-ft { display: flex; align-items: center; gap: 0.5rem; padding: 0.875rem 1.125rem; background: var(--card-bg-raised); } .set2-modal-ft .set2-modal-end { margin-left: auto; display: flex; gap: 0.5rem; } /* Upload: what the file must contain sits on the LEFT with the template button under it, and the dropzone on the right. The template is a thing you read before you drop, not an action on what you dropped. */ .set2-up { display: grid; grid-template-columns: 1fr 1fr; gap: 1rem; } .set2-up-req { font-size: var(--ty-micro); color: var(--ink-quiet); line-height: var(--lh-base); } .set2-up-req li { margin-bottom: 0.375rem; } .set2-up-req code { font-family: var(--font-sans); color: var(--ink-primary); } .set2-drop { display: grid; place-items: center; gap: 0.5rem; min-height: 9rem; padding: 1rem; text-align: center; border: 0.0938rem dashed var(--card-border-hover); border-radius: var(--r-lg); background: var(--card-bg); font-size: var(--ty-micro); color: var(--ink-quiet); cursor: pointer; } .set2-drop:hover, .set2-drop.is-over { border-color: var(--brand); color: var(--ink-secondary); } .set2-drop svg { width: 1.25rem; height: 1.25rem; } @media (max-width: 52rem) { .set2-col { padding: 1.5rem 1.25rem 5rem; } .set2-up { grid-template-columns: 1fr; } } @media (prefers-reduced-motion: reduce) {.set2-lad-ch, .set2-exp, .set2-ck, .set2-row { transition-duration: 0.01ms !important; } } /* ══════════════════════════════════════════════════════════════════════════ THE CONNECTION SCOPE One control where the console had three: a product picker in the page chrome, a CRM picker in a section header, and a disabled third copy of the product inside the sync form. It sits in the module bar, so Config and Sync are visibly describing the same pair. ══════════════════════════════════════════════════════════════════════════ */ .set2-scope-pick { display: inline-flex; align-items: center; gap: 0.375rem; appearance: none; border: 0.0625rem solid var(--hairline); background: var(--card-bg); cursor: pointer; padding: 0.25rem 0.5rem; border-radius: var(--r-sm); font: inherit; font-size: var(--ty-micro); color: var(--ink-quiet); transition: border-color var(--t-fast) var(--ease-out), color var(--t-fast) var(--ease-out); } .set2-scope-pick b { color: var(--ink-primary); font-weight: var(--fw-semibold); } .set2-scope-pick:hover { border-color: var(--ink-rule); color: var(--ink-primary); } .set2-scope-pick:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: 0.125rem; } .set2-scope-pick .set2-lad-ch { width: 0.75rem; height: 0.75rem; opacity: 0.7; } /* The picker's own rows are names, not paths, so they take the sans face back off `.set2-pop-i`, which is mono for the segment pickers. Two LINES, not two columns. Side by side, `.set2-pop-p` took its width first (nowrap, margin-left:auto) and left the name to wrap under it, so the row that mattered least set the row that mattered most. */ .set2-pop-i:has(.set2-pop-n) { flex-direction: column; align-items: flex-start; gap: 0.0625rem; } .set2-pop-i .set2-pop-n { font-family: var(--font-sans); font-size: var(--ty-meta); font-weight: var(--fw-semibold); color: var(--ink-primary); flex: 0 0 auto; white-space: nowrap; } .set2-pop-i .set2-pop-p { font-family: var(--font-sans); font-size: var(--ty-micro); color: var(--ink-quiet); white-space: nowrap; } /* ── THE CURRENT ROW WAS NEVER MARKED ── This tinted with `--card-bg-raised`, which is the popover's OWN background in both themes — so every "you are here" in every one of these menus, the client picker and the role picker included, has been painting a row the exact colour it already was. Measured at #1c2630 on #1c2630 dark and #f7f9fc on #f7f9fc light. A brand tint instead, which no other state here uses: hover is `--card-bg`, so selected and hovered stay tellable apart on the row under the cursor — which was the second half of the same problem. */ .set2-pop-i.is-on { background: var(--brand-dim); } .set2-pop-i.is-on .set2-pop-n { color: var(--ink-action); } /* ══════════════════════════════════════════════════════════════════════════ FAILURES Not a table. A failed run has to answer four things — what broke, when, why, and what it cost — and a row of cells makes the reason the narrowest column on the page when it is the only one anybody reads. ══════════════════════════════════════════════════════════════════════════ */ /* ── The failure card, now anchored rather than listed ── It rendered in a `.set2-fails` column in a section of its own. That section is gone — a run's failure belongs on the run — so the card is what the popout holds, one at a time. The rules below are unchanged; the two that follow the block strip the chrome it no longer needs, because inside a popover the panel already IS the bordered surface and drawing a second border inside the first is just a line. */ .set2-fail { border: 0.0625rem solid var(--err-line); background: var(--err-bg); border-radius: var(--r-lg); padding: 0.75rem 0.875rem; } .set2-fail-hd { display: flex; align-items: center; gap: 0.5rem; flex-wrap: wrap; } .set2-fail-w { font-size: var(--ty-meta); font-weight: var(--fw-semibold); color: var(--ink-primary); } .set2-fail-when { margin-left: auto; } .set2-fail-why { margin: 0.375rem 0 0; font-size: var(--ty-meta); line-height: var(--lh-snug); color: var(--ink-secondary); max-width: 52ch; } .set2-fail-ft { display: flex; align-items: center; gap: 0.625rem; flex-wrap: wrap; margin-top: 0.625rem; padding-top: 0.625rem; border-top: 0.0625rem solid var(--hairline); } .set2-fail-n { font-size: var(--ty-micro); color: var(--ink-err); font-weight: var(--fw-semibold); } .set2-fail-do { margin-left: auto; display: flex; align-items: center; gap: 0.625rem; } /* Why THIS button and not another one — the difference between an action and a guess. Its own line: it is a sentence, and `.set2-from` is nowrap, so sharing the footer with the button ran it underneath. */ .set2-fail-note { margin: 0.25rem 0 0; font-size: var(--ty-micro); color: var(--ink-quiet); line-height: var(--lh-snug); max-width: 52ch; } /* Inside the popout the card is the content, not a surface of its own: the popover already drew the border, the radius and — importantly — the opaque ground. The card keeps none of the three. It kept the error TINT for one build, and the tint was `--err-bg`, which is a 12% red. Setting it as the panel's background replaced an opaque `--card-bg-raised` with something 88% see-through, so the rows underneath read straight through the explanation sitting on top of them. A panel is a surface. The red pill and the red records-lost line carry the state, which is what "one red per failed row" asks for anyway. */ .set2-pop .set2-fail { border: 0; background: none; border-radius: 0; } /* The code, under the header rather than jammed into it. In the row it led the line and pushed the first readable word 22 characters in; here it is a label on the panel that names it, which is the one place somebody copies it from. */ .set2-pop .set2-fail > .set2-pill { margin-top: 0.5rem; } /* ══════════════════════════════════════════════════════════════════════════ PEOPLE, ANCHORED TO A SCOPE Rows in groups, not a grid of cards. The card grid's height was the roster; this page's height is whoever reaches one node, which does not grow with the company. The groups are the answer — granted here, inherited from above — so they carry the weight and the rows inside them stay quiet. Deliberately NOT a table: no column headers, no shared track widths between groups. Every row is a flex line that sizes to its own content, which is what keeps a person with three roles from setting a column width for a person with one. ══════════════════════════════════════════════════════════════════════════ */ /* ── People's scope lives in the HEADER slot, in the Connections component ── It had a bar of its own sitting 40px under the one the header already keeps for exactly this, and a treatment of its own inside that bar — plain crumbs for the ancestors, a control only on the node you stood on. Both went. The bar is `.set2-scope` and every level is `.set2-scope-pick`, which is the control Dynamic fields has always used, so it needs no new rules at all. One addition stood here: `.is-muted`, which faded the whole scope line to 55% while a search was running, on the reasoning that the search stops reading from the scope so the line should recede. It made a breadcrumb you still need — it is how you get back — the least readable thing on the page at exactly the moment you are lost in it. The search field having a value in it is the signal that a search is running. */ /* ── The scope menu row ── Two lines and a tick. `.set2-pop-i:has(.set2-pop-n)` turns every two-line row into a column, which would stack the tick under the caption, so the text gets a wrapper of its own and the row goes back to being a row. The selector carries one class more than that rule so it wins on specificity rather than on source order — two rules at 0,2,0 deciding a layout by which one was pasted second is not a cascade anybody can maintain. */ .set2-pop-i.is-scope:has(.set2-pop-n), .set2-pop-i.is-role:has(.set2-pop-n), .set2-pop-i.is-val:has(.set2-pop-n) { flex-direction: row; align-items: center; gap: 0.5rem; } .set2-pop-i.is-val .set2-pop-n { flex: 1 1 auto; min-width: 0; } .set2-pop-tx { display: flex; flex-direction: column; gap: 0.0625rem; flex: 1 1 auto; min-width: 0; } .set2-pop-tx .set2-pop-n, .set2-pop-tx .set2-pop-p { max-width: 100%; overflow: hidden; text-overflow: ellipsis; } /* THE TRIGGER MENU DOES NOT TRUNCATE. Everywhere else the caption is a detail beside a name you already know, so an ellipsis costs nothing. Here the caption IS the choice: the three names are `Always`, `Automatic` and `On demand`, and the second and third are indistinguishable from their names alone — the sentence saying which one fires when is the only thing separating them. "Fires when the description ma…" is the menu withholding the answer to the question it just asked. The copy is cut to the bone AND the rule is lifted; one without the other still truncates on a narrow panel. Three classes deep to outrank the rule above on specificity rather than on source order. */ .set2-pop.is-trig { width: 17rem; } .set2-pop.is-trig .set2-pop-tx .set2-pop-p { white-space: normal; overflow: visible; text-overflow: clip; line-height: var(--lh-snug); } /* Reserved, not conditional: a tick that only occupies space on the current row shifts every caption sideways as the selection moves. */ .set2-pop-k { width: 0.75rem; height: 0.75rem; flex-shrink: 0; color: var(--ink-action); opacity: 0; } .set2-pop-i.is-scope.is-on .set2-pop-k, .set2-pop-i.is-role.is-on .set2-pop-k, .set2-pop-i.is-val.is-on .set2-pop-k { opacity: 1; } /* ── The role menu ── Six sentences need more than the 15rem a list of names does, and they need to WRAP: `.set2-pop-s` truncates by default, which turned every description into "Everything, on every scope it is gra…" — the half that says what the role does, cut. Two lines, then ellipsis, so the panel still cannot run away down the screen. */ .set2-pop.is-roles { width: 20rem; } .set2-pop-i.is-role .set2-pop-s { white-space: normal; line-height: var(--lh-snug); display: -webkit-box; -webkit-line-clamp: 2; -webkit-box-orient: vertical; } .set2-pop-k svg { width: 100%; height: 100%; display: block; } /* ── A group ── The label is the answer to "how does this person reach here", so it is set as a statement rather than as a quiet section marker, and it takes the status colour of what it means. */ .set2-sp-g + .set2-sp-g { margin-top: 1.5rem; } .set2-sp-gt { display: flex; align-items: center; gap: 0.5rem; padding-bottom: 0.4375rem; margin-bottom: 0.375rem; border-bottom: 0.0625rem solid var(--hairline); font-size: var(--ty-micro); font-weight: var(--fw-medium); letter-spacing: var(--ls-wide); text-transform: uppercase; color: var(--ink-quiet); } .set2-sp-gt.is-ok { color: var(--ink-ok); } .set2-sp-gt.is-warn { color: var(--ink-warn); } .set2-sp-gt.is-err { color: var(--ink-err); } .set2-sp-gt .set2-num { color: var(--ink-quiet); font-weight: var(--fw-medium); letter-spacing: normal; } .set2-sp-ge { margin-left: auto; text-transform: none; letter-spacing: normal; font-weight: var(--fw-medium); color: var(--ink-quiet); } /* ── A row ── */ .set2-sp-row { display: flex; align-items: center; gap: 0.625rem; padding: 0.5rem 0.5rem; border-radius: var(--r-md); min-height: 3rem; } .set2-sp-row:hover { background: var(--card-bg); } .set2-sp-row.is-picked { background: var(--brand-dim); } /* Somebody holding nothing is still a person in the directory. Quiet, not hidden — an account you cannot see is one you will re-invite by accident. */ .set2-sp-row.is-none .set2-av { background: var(--card-bg-raised); color: var(--ink-quiet); } .set2-sp-lines { display: flex; flex-direction: column; min-width: 0; flex: 0 1 15rem; } .set2-sp-n2 { display: flex; align-items: center; gap: 0.375rem; min-width: 0; font-size: var(--ty-meta); font-weight: var(--fw-semibold); color: var(--ink-primary); } .set2-sp-m { font-size: var(--ty-micro); color: var(--ink-quiet); overflow: hidden; text-overflow: ellipsis; white-space: nowrap; } /* The reason they are in this group, in their own words: the roles, and where each was written. Wraps rather than truncates — this is the content of the row, not a trailing detail. */ .set2-sp-why { display: flex; align-items: center; gap: 0.3125rem; flex-wrap: wrap; flex: 1 1 auto; min-width: 0; font-size: var(--ty-micro); color: var(--ink-quiet); } /* ── A LINE PER GRANT ── Stacked, and the role chip takes a fixed track so the client chips start at one x down the column — which is what makes "what does this person hold" readable vertically instead of parsed out of a run of chips. */ .set2-sp-why:has(.set2-sp-grants), .set2-sp-why:has(.set2-sp-toggle) { flex-direction: column; align-items: flex-start; gap: 0.25rem; } .set2-sp-grants { display: flex; flex-direction: column; gap: 0.25rem; width: 100%; } .set2-sp-grant { display: flex; align-items: center; gap: 0.375rem; flex-wrap: wrap; } .set2-sp-grant > .set2-chip.is-role { flex: 0 0 auto; min-width: 6.5rem; justify-content: center; } .set2-sp-on { display: flex; align-items: center; gap: 0.3125rem; flex-wrap: wrap; min-width: 0; } /* Collapsed still names the roles — only the clients are behind the press. */ .set2-sp-sum { display: flex; align-items: center; gap: 0.3125rem; flex-wrap: wrap; } .set2-sp-toggle { display: inline-flex; align-items: center; gap: 0.25rem; appearance: none; border: 0; background: none; cursor: pointer; padding: 0; font: inherit; font-size: var(--ty-micro); font-weight: var(--fw-semibold); color: var(--ink-action); } .set2-sp-toggle:hover { text-decoration: underline; } .set2-sp-toggle:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: 0.125rem; border-radius: var(--r-xs); } .set2-sp-toggle .set2-exp { width: 0.625rem; height: 0.625rem; transition: transform var(--t-fast) var(--ease-out); } .set2-sp-toggle[aria-expanded="true"] .set2-exp { transform: rotate(90deg); } @media (prefers-reduced-motion: reduce) { .set2-sp-toggle .set2-exp { transition: none; } } .set2-sp-note { color: var(--ink-quiet); } .set2-sp-act { flex-shrink: 0; margin-left: auto; } /* ── SELLING ── The line that says why the page is here: it belongs to AiMY Sales, and a reader who does not use that product is told so before anything else. In the prose ink rather than the quiet one, because it is the page's first sentence, not a caption on something. Two things were making it a paragraph to scroll past rather than a line to glance at: it was two sentences, and it rendered at the size of the prose it introduces. The words are one sentence now, and the step below follows. It belongs to the TITLE, so it is rendered with the title (see PAGE_LEDE) and spaced against it. Left in the content it sat under an empty scope bar and read as the page's first paragraph instead of as the title's second line. ── NOT `.set2-lede`, AND THE NAME MATTERS ── That class was taken: it is the count line under a filter row, 900px down this file, in `--ink-quiet` with a `b.is-warn` variant. Borrowing it put two unrelated components on one selector, and the OTHER one won on source order — which is why the top margin here read 14px when this rule plainly said -4. Nothing looked broken; the number was just somebody else's. `--ty-micro` — which is 14 here, not 12, because `.set2-col` shifts the scale up a step. That IS the surface's floor, so this needs no exception to it, and `--ink-secondary` keeps the contrast the small step spends nothing on. 40rem, not 34: at 14px the one sentence measures ~570px, so a tighter measure buys a second line back after the words have just paid for one. */ .set2-page-lede { margin: 0.5rem 0 0; max-width: 40rem; font-size: var(--ty-micro); line-height: 1.5; color: var(--ink-secondary); } .set2-page-lede b { color: var(--ink-primary); font-weight: var(--fw-semibold); } /* 46rem is this surface's own narrow rung — the one `.set2-col` and the title row already turn on — not a limit measured off this sentence. The gap opens rather than closes on the way down: the title and the line stop sharing a row with anything else, so they need their own separation instead of borrowing the page's. */ @media (max-width: 46rem) { .set2-page-lede { margin-top: 0.75rem; } } /* A row is the thing and what it is: the name, then its kind and the line that says what it does. The line takes the row's width — it is the only long text here — and Remove sits at the far edge. */ .set2-sell-row { min-height: 3.25rem; } .set2-sell-lines { flex: 1 1 auto; gap: 0.125rem; } .set2-sell-d { font-size: var(--ty-micro); line-height: var(--lh-snug); color: var(--ink-secondary); } .set2-sell-none { padding: 0.5rem; font-size: var(--ty-meta); color: var(--ink-secondary); } /* The title with its page's one action at the right edge. Centred on the title's line, because the button is shorter than the heading's line box. */ .set2-title-row { display: flex; align-items: center; justify-content: space-between; gap: 1rem; } .set2-title-row .set2-title { min-width: 0; } .set2-title-row .btn { flex: none; } /* The page's verb, and under it the way out to the thing the verb cannot reach. Right-aligned with the button rather than centred under it, so the two read as one control and its footnote rather than as a stack. */ .set2-act-stack { display: flex; flex-direction: column; align-items: flex-end; gap: 0.25rem; flex: none; } .set2-act-sub { font-size: var(--ty-micro); } /* ── THE MENU ── Wider than the default panel so no name wraps. Capped in height and it scrolls: the catalogue in production is far longer than these eight, and the search is how you get through it. Rows are one line, so they take a 36px target — a list you pick several from is pressed several times, and the 32px default is sized for a menu you press once. The search field is the panel's own control, sized to its rows rather than to the page's inputs. */ .set2-pop.is-sell { width: 22rem; max-height: 30rem; padding: 0.5rem; } .set2-pop.is-sell .set2-pop-hd { padding: 0.25rem 0.5rem 0.625rem; margin-bottom: 0.5rem; } .set2-pop.is-sell .set2-pop-f { height: 2.25rem; margin: 0 0 0.375rem; width: 100%; padding: 0 0.75rem; font-size: var(--ty-meta); } .set2-pop.is-sell .set2-pop-bd { padding: 0; } .set2-pop.is-sell .set2-pop-t { padding: 0.625rem 0.625rem 0.25rem; } .set2-pop.is-sell .set2-pop-t:first-child { padding-top: 0.25rem; } .set2-pop.is-sell .set2-pop-i { min-height: 2.25rem; padding: 0.375rem 0.625rem; } .set2-pop.is-sell .set2-pop-i .set2-pop-n { font-weight: var(--fw-medium); } /* Air between rows, because a row here is picked several times over: two ticked rows flush against each other read as one block of highlight. */ .set2-pop.is-sell .set2-pop-i + .set2-pop-i { margin-top: 0.25rem; } /* ── THE DESCRIPTION WRAPS HERE, AND DOES NOT TRUNCATE ── Same call the trigger menu makes a few hundred lines up, for a weaker version of the same reason. Elsewhere a caption is a detail beside a name you already know and an ellipsis costs nothing; here half these rows are AiMY products and half are services the company runs for you, and *AiMY QA* against *QA and test automation* is exactly the pair a reader cannot tell apart from the names. Wrapping does not make the list ragged, which is the usual price: measured, the eight descriptions run 43–52 characters, so every one of them takes the same two lines at this width and the rhythm survives. If a much shorter or much longer one is ever added, THAT is when this needs looking at again. The tick goes to `flex-start` so it sits on the NAME. Centred against a two-line block it floats between the lines, pointing at neither. */ .set2-pop.is-sell .set2-pop-i { align-items: flex-start; } .set2-pop.is-sell .set2-pop-p { white-space: normal; overflow: visible; text-overflow: clip; line-height: var(--lh-snug); color: var(--ink-quiet); } .set2-pop.is-sell .set2-pop-k { margin-top: 0.1875rem; flex: 0 0 auto; } .set2-chip.is-role { background: var(--brand-dim); color: var(--ink-primary); font-weight: var(--fw-semibold); } /* A scope you can go to. It is a chip because it names a scope, and a button because "granted on Upland" is only useful if Upland is one press away. */ .set2-chip.is-go { cursor: pointer; appearance: none; font: inherit; } .set2-chip.is-go:hover { border-color: var(--brand); color: var(--ink-action); } .set2-chip.is-go:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: 0.125rem; } .set2-av { width: 2rem; height: 2rem; flex-shrink: 0; border-radius: var(--r-pill); display: flex; align-items: center; justify-content: center; background: var(--accent-dim); color: var(--ink-action); font-size: var(--ty-micro); font-weight: var(--fw-bold); letter-spacing: 0.02em; } /* Below the point where the reason and the row stop fitting on one line, the reason drops under the name rather than squeezing both. */ @media (max-width: 58rem) { .set2-sp-row { flex-wrap: wrap; } .set2-sp-lines { flex: 1 1 12rem; } .set2-sp-why { flex: 1 1 100%; padding-left: 3.5rem; } } /* ══════════════════════════════════════════════════════════════════════════ THE FILTER BAR A search that narrows and three dropdowns that narrow, all of them writing to the URL under one `f` key. Native `` into looking like a control it was not — appearance stripped, a chevron absolutely positioned over it, `:valid` standing in for "something is chosen". None of it reached the LIST, which the OS drew in its own colours and its own theme. The design system's dropdown draws both halves, so the rules it needs are the two that place it in this row. */ .set2-fsel { min-width: 8rem; } .set2-fsel .v2-dropdown-btn { width: 100%; justify-content: space-between; } /* ══════════════════════════════════════════════════════════════════════════ ROLE GROUPS A role, the KIND of scope it is granted on, and a chip per scope it reaches. Collapsed by default — the header alone answers "what can this person do and over what", and the chips are the detail behind that. ══════════════════════════════════════════════════════════════════════════ */ .set2-tr { width: 0.875rem; height: 0.875rem; display: block; } .set2-chip.is-type { background: var(--accent-dim); color: var(--ink-action); border-color: transparent; font-weight: var(--fw-semibold); } .set2-chip.is-scope { display: inline-flex; align-items: center; gap: 0.25rem; padding-right: 0.25rem; } .set2-chip-x { appearance: none; border: 0; background: none; cursor: pointer; padding: 0; display: inline-flex; color: var(--ink-quiet); line-height: 0; } .set2-chip-x svg { width: 0.625rem; height: 0.625rem; } .set2-chip-x:hover { color: var(--ink-err); } .set2-chip-x:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: 0.0625rem; } .set2-kebab { margin-left: auto; flex-shrink: 0; appearance: none; border: 0; background: none; cursor: pointer; padding: 0.25rem 0.375rem; border-radius: var(--r-xs); display: flex; flex-direction: column; gap: 0.125rem; align-items: center; } .set2-kebab span { width: 0.1875rem; height: 0.1875rem; border-radius: 50%; background: var(--ink-faint); } .set2-kebab:hover span { background: var(--ink-primary); } .set2-kebab:focus-visible { outline: 0.125rem solid var(--brand); outline-offset: 0.0625rem; } /* ── The picker's own back row and search ── */ .set2-pop-back { display: flex; align-items: center; gap: 0.375rem; width: 100%; appearance: none; border: 0; background: none; cursor: pointer; padding: 0.375rem 0.5rem; margin-bottom: 0.125rem; border-bottom: 0.0625rem solid var(--hairline); font: inherit; font-size: var(--ty-micro); font-weight: var(--fw-semibold); color: var(--ink-quiet); text-align: left; } .set2-pop-back:hover { color: var(--ink-primary); } .set2-pop-back .set2-lad-ch { width: 0.75rem; height: 0.75rem; } .set2-pop-f { width: 100%; appearance: none; border: 0; border-bottom: 0.0625rem solid var(--hairline); background: none; padding: 0.5rem; font: inherit; font-size: var(--ty-meta); color: var(--ink-primary); margin-bottom: 0.125rem; } .set2-pop-f:focus { outline: none; border-bottom-color: var(--brand); } .set2-pop-i.is-err .set2-pop-n { color: var(--ink-err); } .set2-pop-i .set2-pop-p svg { width: 0.75rem; height: 0.75rem; color: var(--ink-action); } /* ══════════════════════════════════════════════════════════════════════════ THE DATE RANGE, AND THE RETENTION ROWS ══════════════════════════════════════════════════════════════════════════ */ .set2-range { display: flex; align-items: center; gap: 0.5rem; flex-wrap: wrap; } .set2-range-d { flex: 0 0 auto; width: 10rem; font-variant-numeric: tabular-nums; } /* ══════════════════════════════════════════════════════════════════════════ SKILLS — THE PRODUCTION TABLE AND CLAUDE'S DOCUMENT The two-pane library that stood here is gone: a persistent left column of skills with their parts nested under them, which cost two clicks to reach three facts and used the same shape Claude and MagicPath already use for a different job. What replaces it is the list production actually ships — Name, Description, Status, all sortable, under the two filters and the search — and the detail Claude ships: a back link, the name over its author, tabs, and the file. ══════════════════════════════════════════════════════════════════════════ */ /* ── THE LIST IS ROWS, NOT A TABLE ── The note here used to say "grid rather than so the row can be one